Hannah-Rose Owen-Wright

1958094_460011907431581_1566469470_nHannah-Rose Owen-Wright is chosen for PAGE 2 STAGE 2014 Artist Development Programme

Hannah Owen-Wright began performing spoken word regularly two years ago, whilst living in Birmingham, UK.  She has performed in slams in the UK as well as at Poetry Live in Auckland.  She is also intrigued by spoken word performance as an exploration within the sonic qualities of language. As a musician – specifically, a singer – the musicality of language is a primary guiding principle in her performance practices.  No doubt what Hannah will produce will be fresh, challenging, and engaging.

Ya-Wen Ho

Ya-Wen Ho

Ya-Wen Ho

Ya-Wen Ho is chosen for PAGE 2 STAGE 2014 Artist Development Programme

Ya-Wen Ho is an enthusiastic and committed member of Auckland’s writing community.  Recently her endeavors have included a performance at the Short Takes on Long Poems symposium, a book with TinFish Press, an international reading at Counterpath Press and numerous local readings.  As a confident performer, she loves wowing an audience and would like to further explore the interactive and collaborative possibilities of live performance.  Ya-Wen has huge potential and will surprise any listener.

Maria Yeonhee Ji

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Maria Yeonhee Ji is chosen for PAGE 2 STAGE 2014 Artist Development Programme

Maria Ji has always been passionate about reading and writing but 2013 was the first year she wrote and performed performance poetry. She came 3rd in the University of Auckland Annual Poetry Slam, was the NZ Poetry Slam Auckland Regionals champion (performing in the regional heats and regional slams), and was one of 3 poets representing Auckland at the national poetry slam in Wellington.  Maria is a new voice in the poetry scene but one that we should all be very excited about.

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Kirsti K. Whalen

1897974_10151869684871541_32997279_nKirsti K. Whalen is chosen for PAGE 2 STAGE 2014 Artist Development Programme

Kirsti Whalen is a seasoned spoken word performer and creative writer.  At the beginning of 2013 she moved back from Melbourne, where she held an internship with The Centre for Poetics and Justice where she was able to develop her work, perform and facilitate workshops.  She also developed and ran The Unsaid Things, a workshop series for young adults whose disabilities affected their creative expression.  She has performed in a number of slams in Australia and was recently one of the final six slammers in the Rising Voices Youth Poetry Slam. She is currently studying creative writing at MIT.

Rob Mokaraka

1211_profile4_lgRob Mokaraka is chosen for PAGE 2 STAGE 2014 Artist Development Programme

Rob Mokaraka’s background is in Acting & Writing for Theatre and Film.
 He has held
 short-film writing workshops in Rarotonga and in Auckland with a broad
 demographic.
  He has written, directed, and performed in a range of produced works including Maui, Man Club, Sydney Bridge Upside Down, and Flat 3.  He has won three Chapman Tripp Theatre Awards.  Rob enjoys nurturing unique, new talent and has a lot to offer a mentee in a range of disciplines.

Natalie Hugill

NatalieHugill

NatalieHugill

Natalie Hugill is chosen for PAGE 2 STAGE 2014 Artist DEvelopment Programme

Natalie Hugill has trained as an actress for theatre, film and television.  She has performed in over 13 theatre productions and also has experience in on-screen acting.  For the past three years however, Natalie has extended her repertoire to performing in over 25 live performance shows, ranging from MCing for Dr Sketchy Auckland, to devising experimental performance art for Stranger Things 4.  Natalie’s experience in MCing first started with her show “Lilly Loca’s Vaudeville Cabaret” where she was able to let herself loose upon the unsuspecting audience.  She is a master of improv and relates well to any audience.

Page2Stage 2014 kicks off!

On February 20th, Page2Stage was launched at Q Theatre with the announcement of this year’s Mentors and Mentees. Competition was fierce, with over 30 high quality applications from experienced poets and performers. We extend our thanks to all those who applied for their interest in the programme, and we hope to see you at workshops and live poetry evenings throughout the year. The first in our series of events will be “The Art of Performance Poetry,” by Michael Botur: http://printablereality.com/workshops/page2stage-2014-workshops/

Paolo Rotondo

Paolo Rotondo

First and foremost I am an artist. This is not a career choice or an activity I merely entertain, it is who I am, I am my work. My passion is story telling. I work in many different and sometimes very diverse mediums, but all my work shares a standard of excellence a clear and honest voice and is based on my own idiosyncratic, personal vision of the world.

 As a filmmaker I’ve just recently completed my first Feature film ‘Orphan & Kingdoms’ on which I was writer/director. http://orphansandkingdoms.comFunded by the The New Zealand Film Commission. It will be released at the 2014 International Film Festival. In 2014 a play I wrote and performed in was chosen by Creative New Zealand to headline the New Zealand Showcase at the Edinburgh Theatre Festival.

Paolo is one of workshop leaders for Page 2 Stage programme.

 

Melissa Fergusson

melissa is a playwright, director, presenter, actor and social media extraordinaire.  Melissa has written and directed plays into Melbourne, Auckland and Wellington on numerous occasions (Motherlock, The Artefact Project, pURe) as well as Gary Henderson’s ‘Skin Tight’, ‘Tipping Point’ (won Wildcards 2, Short + Sweet, 2010)  by Mark Andrew and Alex Broun’s ‘Death of Caesar’ world premiere. Melissa is one of the workshop leaders for Page 2 Stage programme.

http://melissafergusson.com/

Sascha Perfect

SASCHA PORTRAIT HAT Sept 2012

Sascha is a Wellington based producer and performance artist. She recently returned from 10 years working in Ireland, Poland, Netherlands and Serbia. She has created several Dance Theatre productions and films (Chimera 2011-12, Babylon2012, The Quantum Enigma 2010, Monitor 2008, Organ City 2007, Intimacy 2007,Reality Show 2005). She has performed at various theatres and festivals internationally. She studied Fine Arts in Auckland and Dublin and Performance Research and Training in Novi Sad(Serbia), Amsterdam and Wroclaw.(Poland). Sascha Perfect is a member of DANZ, Dance Ireland and Visual Artist Ireland. Sascha is one of workshop leaders for Page2Stage programme. 

 

Louise Pagonis

Louise PagonisLouise Pagonis is an experienced radio and TV broadcaster with her own communications company .She has a regular slot on Duncan Garners Drive show, she coaches business and organisations all over NZ on how to build their own profile in the media without using PR consultants, and she trains TV presenters in the art of on screen communication at the South Seas School of Film and TV. She is one of the Page 2 Stage workshop leaders.

www.mediacoaching.co.nz/

Dr Jack Ross

jack rossworks as a Senior Lecturer in Creative Writing at Massey University’s AucklandCampus. His short verse drama Scenes from The Puppet Oresteia appeared in 2011 from Narcissus Press (Rhinebeck, NY, USA). His other publications include four full-length poetry collections, three novels, and three volumes of short fiction. He has also edited a number of books and literary magazines, including (with Jan Kemp) the trilogy of audio / text anthologies Classic, Contemporary and New NZ Poets in Performance (Auckland University Press, 2006-8). Details of these and other publications are available on his blog The Imaginary Museum: http://mairangibay.blogspot.com/. One of the workshop leaders for Page 2 Stage 2014.

An occasional boat

An occasional boat
by Siobhan Harvey

Aotearoa’s first waka were clouds
wearing, like precipitation, our future
gene-pools in their bellies. They began life
in Hawaiki, Portsmouth, Apia and Hong Kong.

Even now, in settlement, our people turn to their ancestors,
the clouds for connection, understanding and loss.
And the clouds oblige with reassuring rain, silvereyes,
stargazers, dragons, trains and even an occasional boat.

Matariki Poem

Matariki Poem
by Shreya Nair

as evening approaches
the sun radiates a dim light
blurred in ablaze, settling down
behind the horizon, exhausting the
world of warmth.

the wind blows in harsh spite
the air is damp and cold
but a bonfire sits, crackling
with essence, shedding
billows of warmth.

moaning slightly,
the children head off to bed
eager for sunrise to arrive.

holding kai and offerings
in hand, family and friends
circle the fire, chanting hymns
to welcome back Matariki.

The season of its first rising.

Their soothing voices reverberating
in the darkness, accompanying
the crooning waves.

Scintillating in the winter sky
Matariki appears, the eyes of god
marking the dawn of Maori New Year.

Iwi gather in unity and
remembrance of loved ones.
Singing in unison and rejoice.

SLEEPING WITH MOUNTAINS

SLEEPING WITH MOUNTAINS
by Rosanna Raymond

At night I sleep with mountains
covered with birds on sticks
and a bird beak peaking down below
And me turns to we and we flock off in our effect
as the clouds form an embryo across the sun
It’s all part of a coconut order
Celestial petals are waiting for some drum drum fun
centipedes, jellyfish dancing on their thighs
and the blood of virgins smeared on their cheeks
We dance on the skin of the land
flushed in a red stained light, the same light
shed by Hines’ vulva as it out an end
to mans’ quest for everlasting life
My bones are cold, almost hollow
they carry and echo, but my flesh is tasty
and keeps me on the go…going….gone
But not for good
For I am afraid the sky will down
and leave me at the feet of Ranginui
looking for assistance
Karanga mai, karanga mai, karanga mai ra
listening to the hidden voices,
bathed in salt water
welcoming me, settling my distance
and waiting for me to come home

An open letter to Mr Peter Brown of New Zealand First

An open letter to Mr Peter Brown of New Zealand First
by Renee Liang

Dear Mr. P. Brown,
I agree absolutely the matter of Asian immigration
Demands serious attention. After all, Mr P Brown, the true definition
Of a true blue Kiwi, like yourself, is, firstly,
A love of the All Blacks. Not in the literal sense
Unless you’re down the Loaded Hog on Friday night,
But I mean, really love the All Blacks, who were robbed
Of their right to the World Cup.
Secondly Mr P Brown, I know you can sing
The national anthem in both English and Maori
After all, true blue Kiwis like yourself, Mr P Brown,
Can. Maori is, of course –
the language of those poor bottom dwelling bastards
soon to be displaced by ‘mini societies of Asians’.
And we all know the Asians rob people.
It was probably them that robbed the All Blacks.
And now they’ll rob
Those poor brown people of their rightful place to be
At the bottom of New Zealand society.
I feel your pain, I really do, Mr P Brown. I feel it here.
Better, far better, to have a flood of brown people here
than yellow.
With a name like Mr Brown, Mr P Brown, who can blame you
For being a defender of the poor oppressed in our society.
Like Winston Peters, who’s never played the race card, ever.
He’s brown. And you work with other brown people too.
They clean your office toilet, flush your shit down the loo.
An Asian cleaning your loo just wouldn’t be patriotic, would it,
Mr P Brown?
There’s no telling what the Asians would do if they became
Substantial. The greater the number,
The greater the risk.
Sell substandard goods from China?
Our Prime Minister’s only a woman,
She couldn’t tell the difference.
Real quality is Kiwi-made. Macpac packs, Pumpkin Patch.
Those Asians will never integrate.
All they’re interested in are the A’s and
Sending their kids to our best schools.
Their kids won’t ever be Kiwis.
Having them here would only cause
Division, resentment and friction. And not the kind
Of friction you get, Mr P Brown,
By putting your hands down your pants.
Oh and – you can always tell an Asian by the way they look.
They’re yellow, you see. Squinty eyes, and
always in the library. None of them can drive.
And none of them speak
English properly. That brings me to my third point –
All true blue kiwis speak English, don’t they,
Mr P Brown? Even the brown people.
They signed the Treaty in English, after all.
And my last point, the most important. A true blue
Kiwi is born here, Mr P Brown, right here on this soil,
Part of the whenua, they say. So people
Not from this land have no chance
Of integrating into our just, free, and above all,
Tolerant society. No chance at all, Mr P Brown.
I mean, we wouldn’t want a mini-London
On our hands, would we, Mr Brown?
You’re right.
There’s no telling what they’d do,
These immigrants. They should never have been allowed in.
There’s no telling what they’ll say next.

Baggage

Baggage
by Michael Botur

I’m imported from an Old World of atavists
and anti-hijab jabs from enlightened Presidents;
continent of all-conquering currency.
My plane disclaims its Eurocargo on lava tarmac.
We’re ethnic scraps scraped off the plate. Wide-eyed,
I salivate at this space, this colonialist’s bait,

I drool like Conrad
when he saw the necklace-lain Congo jewel.
Each Mangere mangrove here should move
aside so I can stake my Tricoleur, because I’m
insecure. I even heard the settlers changed
their name to Pakeha

from European: such insurgency! A slap, a speed
hump, yup, but it can’t stump the rules of retrospect
which state that history, if sealed, congeals, and cannot
be contested or repealed. So, I lug my luggage with me
In case I must declare identity.

The hotel shuttle is a quarantine. Each passed pub’s
a Celtic, Welsh embassy, but
I’m excluded from the hubris,
I’m just noxious: I’m ambassador
for Ferdinand, Wilhelm, Windsor, Louis.

Decamping here, establishing my principality
I seed elms, firs, chestnut trees.
And hug each oak, so damp and England-old;
I clutch a pocketful of francs.
I long for the Louvre, thirst for the Danube.

But, needing residency, I put my Heineken aside and drink
a Steiny, let my tongue absorb the way you talk: an accent of
parrots, cheese, beaches, wheat, and frosted skis,
And islets, quad bikes, estuaries;
ANZACs, Allies swathed in Swanndri,

Baled hay, udders stuffed with curds and whey
Hawke’s Bay Chardonnay, manuka tea. I swallow
spiteful eyefuls of the Sky Tower, a phallic affair,
a contest which can’t compare
with my established Eiffel.

I obfuscate my origin and carry just the core
of it. My flag, my baggage can be boxed,
unlocked upon May Day,
Queen’s Birthday, Bastille Day,
exhumed when we zoom in on the future,

when at parties, they’ll interrogate me: Mate, ya Kiwi?
And my mouth’ll empty –
No rugby fealty or passport can speak for me.
I’ll search my carried baggage, check the mirror.
Then we’ll see

Croatia, Polynesia, Asia
are connected by a common sea
uninterrupted by nationality. Europe was a squeeze
so this refugee begs residency, because you need
My trendy, exotic biscotti and without you,
I wouldn’t have a space to breathe.

a rope for my third man

a rope for my third man
by Ila Selwyn

a rope
for my third man
yanks me home
step off the plane
Aotearoa grasps an ankle
my soul down under
we don’t speak the same language
upside down
back to front
I have to up-end myself to see
my grandfather moon
you can’t even see
the cherub in your hemisphere
dump Orion on his head reduce
him to a pot
I seek the sun
south at Tutukaka
drive north to the snows of Ruapehu
the logic is clear
you’re protected by a layer of tough wool
my northern skin is far too thin
emotion fuels my tank
I slam on the brake

Equator

Equator
by gus Simonovic

If words are the stars,
poems are constellations.
You need to know the figure
to shape out meanings.
And wherever you move
every nightsky speaks
a different language.

I crossed the line –
and left my northern stars
at that invisible border.
They were confiscated
by the equatorial customs office.
But I smuggled my poems with me
so I can still speak to you.

I exchanged my Little Dipper
for Magellanic clouds.
Instead of Polaris
Sigma Octanis brightens my horizon.

And I reach up high and I dig down deep
like every plant that has been
pulled out by its roots.
Lucky to have Leo and Orion
to help me bear my Southern Cross.

Steven Ciprian

Steven Ciprian

Steven Ciprian

Steven has been acting on an off for the last 20years.
He graduated from the inaugural year of The Actors Program 2012 which was a full time practical acting school run by some of New Zealands top actors, directors and acting tutors in both Film & Theatre.
Having lived and worked overseas from 1995 – 2004 Steven returned to NZ and graduated from South Seas Film & Television School in majoring in Directing & Acting.
Whilst living abroad he was lucky to be involved in several Theatrical Productions that had diverse and multicultral casts.
He is looking forward to continuing his vocal an acting training and is excited about working in this upcoming venture

Siobhan Harvey

Siobhan Harvey

Siobhan Harvey

Siobhan Harvey is the author of the poetry collection, Lost Relatives (Steele Roberts, 2011), Words Chosen Carefully:New Zealand Writers in Discussion (Cape Catley, 2010) and Our Own Kind: 100 New Zealand Poems about Animals (Godwit, 2009).
In 2009 she was Auckland Regional Council Writer in Residence.
In 2010 her poetry was nominated for the Pushcart Prize (US).
She also works as Coordinator of National Poetry Day, an Editor for the Poetry Archive in the UK and Poetry Editor of Takahe Magazine.Siobhan Harvey’s page at www.bookcouncil.org.nz
Her poem An occasional boat is part of Aotearoa Found in Translation and is published in New Dialogues and New Beginnings Poetry Anthology 2013

Rosanna Raymond

Rosanna Raymond

Rosanna Raymond

Rosanna Raymond was born in Auckland New Zealand of Samoan decent and currently lives and works in London with her family.
A ‘Tusitala’ (a teller of tales) at heart her art practice takes a variety of forms ranging from installation works, spoken words and body adornment, fusing traditional pacific practises with modern innovations and techniques.
A published poet and writer, with art works held in museum and private collections around the world, Raymond has forged a role for herself over the past 15 years as a producer and commentator on contemporary PI culture, both in Aotearoa NZ, the UK and the USA working within museums and higher education institutions as an artist, performer, curator, guest speaker, poet and workshop leader.
Raymond has undertaken art residencies at the De Young Museum San Francisco, University of Hawaii Manoa and the Cambridge University Museum of Archaeology and Anthropology UK, where she curated the internationally acclaimed Pasifika Styles exhibition with Dr Amiria Salmond.
An active member of the London based Polynesian cultural groups Beats of Polynesia and Ngati Ranana, Raymond continues to exhibit write and develop her art practice.
Her poem SLEEPING WITH MOUNTAINS is included in Aotearoa Found in Translation and is publsihed in New Dialogues and New Beginnings- Poetry Anthology 2013

Renee Liang

Renee Liang

Renee Liang

A poet, playwright and fiction writer, Renee frequently collaborates across disciplines.
As well as performing her own poetry and running Poetry Slams in the persona of “Slammistress”, Renee has been involved with Poetry Live for many years, acting as MC from 2005-9, and organising many other poetic events.
She was a key instigator in the Guerilla Poetry group which literally puts poetry on the streets.
She also produces Funky Oriental Beats, a yearly showcase for Kiwi-Asian performing artists and helps run the arts collaboration project Metonymy.
Her sold-out plays Lantern and The Bone Feeder have been seen in centres around the North Island.
In February 2011 her short film with director Steven Chow, “Tide”, will show at Clermont-Ferrand film festival.
A collaboration between herself and Robbie Ellis, “The Lovers’ Knot” for actor and orchestra, will be performed by Stuart Devenie and the Auckland Philharmonia in May.
Renee has been published in the New Zealand Listener, JAAM, Blackmail Press, Tongue in your Ear, Sidestream and Magazine. For her work in medicine and arts, Renee was named a Sir Peter Blake Emerging Leader in 2010.
Her poem An open letter to Mr Peter Brown of New Zealand First is part of Aotearoa Found in Translation and is published in New Dialogues and New Beginnings- Poetry Anthology 2013

Rebecca Parr

Rebecca Parr

Rebecca Parr

Rebecca Parr is a professionally trained and award winning British actress and voice artist.
She lived in Beijing, China as a full time actress and voice artist doing film, theatre, TV and American and British voiceovers and dubbing for Chinese films from 2007-2011.
She speaks Mandarin and French.
Rebecca has been the lead in over 25 short films, 4 plays and had a 3 episode guest starring role as news reporter Julie Caulder in Shortland Street, all this year.
She is currently a key supporting role as American CIA Agent Lydia Manson in the feature film “Not For Children” for release next year.

Raewyn Alexander

Raewyn Alexander

Raewyn Alexander

Raewyn Alexander writes novels, stories, poems, non-fiction, essays – and a blog read world-wide, promoting poetic journeys and trees for travel.
She’s also a UNITEC lecturer and Leisuretime Learning tutor, taking highly regarded writing courses.
A fourth generation New Zealander – French, Irish, Scots and English – originally from Hamilton, she’s travelled the world and now resides in Tamaki Makaurau Auckland.
Her work ranges far, tending to favour contemporary life, strong imagery, some highly politicised pieces and also, mysterious, fantastical explorations showing what she calls, “the infinite world within us, in a true, dynamic relationship with the material world.”A link to the first page of Alexander’s google resources Her poem hey Delilah, what’s happening in New York City? won poetry competition New Dialogues and New Beginnings and is published as well as possibly and in New Dialogues and New Beginings -Poetry Anthology 2013

Her work’s won prizes and been short-listed for major competitions; in 2014, a Miles Hughes Achievement Award prize-winner. Lately she’s working on a graphic poetry collection, soon having some poetry cartoons published in Three Words Anthology. Alexander’s poetic journeys to America and trees for travel blog is read world-wide.http://poeticjourneytoamerica.blogspot.co.nz/Her poetry has also been published in “We Society” Poetry Anthology 2015.

 

 

Prema Cottingham

Prema Cottingham

Prema Cottingham

Prema has been treading the boards for most of her life, most notably in Shoreside’s Shakespeare in the Park for the past four years.
She has a passion for the spoken word, poetry, and most especially theatre, and while she hasn’t made much of her own poetical skills it is one of her great loves.
She first collaborated with Gus in 2007 and is very much looking forward to future collaborations.

Nalini Singh

Nalini Singh

Nalini Singh

A little obsessed with sunshine and baby grand pianos, Nalini Singh is a poet, dreamer and activist.
From helping launch the youth climate movement in NZ through Power Shift NZ Pacific, she’s absurdly fascinated in all things sustainable, immersing herself in permaculture, social entrepreneurship, and nutrient-based healthcare whilst formally studying evolutionary ecology and environmental economics at The University of Auckland.
She’s the founder and president of the Auckland University Poetry Society, been published nationally and internationally and just last week was at The International Conference on Thinking 2013 to see how to combine her environmental concerns with multimedia for children.
about.me/nalini.singh

Michael Botur

Michael Botur

Michael Botur

When Michael Botur gets sick of sitting in his armchair writing fiction, he gets up and performs poetry.
Botur has been published in Takahe, JAAM, Bravado, The Lumiere Reader, Prima Storia, Deep South, Catalyst, and a number of overseas journals including Weaponizer.co.uk.
He has a Masters in Creative Writing from AUT.
He is currently working on a case of beer and a new novel.
Botur also writes for Auckland arts magazine Renegade House: renegade house and Botur’s Fight Squad @ squadblog.tumblr.com & botur.tumblr.com
His poem Baggage is insluced in Aoteraoa Found in Translation and published in New Dialogues and New Beginnings -Poetry Anthology 2013

http://botur.tumblr.com/

Lynne Cardy

Lynne Cardy

Lynne Cardy

My work here at ATC is particularly focussed on developing young (and new) talent via a whole range of programmes that I curate via ATC Education (schools, young people, youth arts) and ATC Participate (industry development, creative collaborations and community).
The thing I really enjoy about my role here is the ability to connect new artists with real industry experience, to introduce them to meaningful professional networks and to generate new work.

Lee Ah Yen Faatoia

Lee Ah Yen Faatoia

Lee Ah Yen Faatoia

Samoan, Chinese and German. Born in 1982, New Zealand Actor and Martial artist.
He studied in Australia in AAA Sydney Acting school and is currently studying in level 3 Mastery with Kacie Stetson at Studio 111 (Auckland) 2012.
He has been a full time actor in New Zealand since May 2011.Experienced in screen-wise, film, television, stunt work and Theatre.
He loves the challenge, Adaptable in many ways.
He is still pursuing his career and has manage to do over 30 short films and over 4 Theatre plays.
You can find more about him at www.imdb.me/leeahyenfaatoia
or from his www.leeahyen.comwebsite

Kotaro Nishishita

Kotaro Nishishita

Kotaro Nishishita

Kotaro Nishishita, a classical guitarist who beganto play classical guitar in 2004 inspired by Narsico Yepes.
He graduated as a Bachelor of Music in Performance at the University of Waikato (2006-2009) studying under Katya Skandera, Federico Quercia and John Couch.
He has won 2 best performance prizes and a Merit prize from Lilburn Student Composition Awards in 2006 and 2008 by performing his own composed piece of music.
Currently he is having lessons from James Tennant(Cello) and Tomonori Arai.
He is based in Auckland.
Became a member of Printable Reality collaborating with poets, dancers and visual artists around Auckland. Untill AUT Dance Company, Koutaro & Gus

Kashka Tunstall

Kashka Tunstall

Kashka Tunstall

Hey, I’m Kashka. I’m a poet-journalist-writer and I live in New Zealand’s best city, Hamilton.
I work in the mighty Waikato full-time as a journalist and I also happen to rep the label poet when occasion allows.
I’ve performed in two Readers and Writers Festival slams, won the inaugural Hamilton Poetry Slam and spot performed at a few different events.
I figured I was more than a little into poetry after a metaphor that I used (where I compared myself, and my patience in catching the perfect wave, to a scarecrow in a cornfield) got a pretty positive response in a year 3 writing competition. Pretty impressive right?
Since then, I’ve taken the whole thing a little more seriously. Spoken word poetry became a big part of my life about two years ago when I discovered poet Sarah Kay and a whole host of others such as Taylor Mali, Anis Mojgani and George Watsky.
My favourite spoken word piece is Suheir Hammad’s ‘First Writing Since’.
I also have a feverish passion for poets such as Robert Frost, John Keats, Allen Ginsberg, Hone Tuwhare, Maya Angelou, Langston Hughes, basically any poet who has ever said anything.

Jordin Lincoln

Jordin Lincoln

Jordin Lincoln

Jordin Lincoln is a passionate, aspiring actress, singer, songwriter, and model.
She moved to Auckland in February, 2011 to pursue her goals in the industry – predominately film.
Having performed on stage and in competitions from a very young age – including in school talent quests, Rotorua Has Talent 2010, many musical productions (including ‘Les Miserbles’, 2004, directed by Robert Young)
Jordin is perfectly at home on stage and in front of an audience.
Jordin has a Diploma in Performance from Trinity Guildhall, for which she received Distinction – 2010.
Jordin hopes that her future performances will help those in need, whether that be financial aid, education, entertainment, or simply giving them a spark of hope and putting a smile on their face.

Jess Bates

Jess Bates

Jess Bates

Jess Holly Bates is a 27 year old talent who has been orbiting the Auckland/Wellington performance scene with intent over the last two years, well-qualified academically (BScMA) and a confident writer and performer, she has been writing poetry since age five.
Jess began sharing her work on the stage in 2011, when she joined the Rising Voices workshops, run by established spoken word poets Jai Macdonald and Grace Taylor.
The Rising Voices 2011 slam whet her appetite for spoken word, and she is resolved to use 2013 to develop both her performative and her written craft. As well as being an avid poet, Jess is a passionate dancer and choreographer, intuitive actress, flute teacher, hospitality-personality, and aerobics junkie!
In 2012 she featured as guest cast of “Shay” in TVNZ’s “Nothing Trivial,” and playing lead roles in Theatre of Love’s “Day After Night” and in Simon Clark’s “Spit for Tat” in Auckland’s Short and Sweet Festival. Her writing work is concerned with the tension between the body and the page, and problematising the form of spoken word in relation to Pakeha identity in New Zealand.

Jerry Beale

Jerry Beale

Jerry Beale

Jerry Beale grew up shuffling between parts of England and Northern Ireland.
He’s been a Royal Marine Commando, a farmer, a bodyguard, representative rugby player, international judo competitor, cage fighter and advertising agency creative director.
About the only thing that has stayed with him through all these experiences is the ability to capture moments, events and feelings in lyrical form.
He’s performed his poetry in the US, UK, Ireland and New Zealand, published a couple of anthologies, opened festivals and entertained in bars, cafes and workshops.
Now he calls New Zealand home, has 3 amazing children, one shaggy dog and a love of wild remote places.
Poem “Casuality” and “A man’s hands” published in Poems4Peace Anthology 2014.

Jennifer Austin

jeniffer austin photoBorn and raised in the United States with 14 years of theatrical experience and 10 years of classical vocal training, I am a versatile actress and singer who is professional, friendly and driven.

Graduating from Nebraska Wesleyan University with a degree in Theatre, Communication and a music minor, I felt globally ready to start my career. Since graduating from University, I moved to Melbourne, Australia acting in numerous shows including Peter Pan at the Pollywoodside, An Everyday Affair, and Nauseas Reprieve that was featured at the Fringe Festival. Not only have I performed in the fringe festival but the International Comedy Festival in Melbourne.
Singing and performing is my passion but I also had the chance to teach at Westend performing arts school in Melbourne.
I taught private and group singing lessons along with musical theatre classes ranging from ages 4-40. Many of my students have competed in singing competitions and have been awarded or recognised for their talent.
After spending two years in Melbourne Australia, I relocated to Auckland New Zealand to further my career in the performing arts.
I actively seek auditions for TVC, Film, and Theatre. Along with performing in Auckland, I also teach private singing and theatre lessons.

Ila Selwyn

Ila Selwyn

Ila Selwyn

Ila Selwyn’s book of poetry, two sisters, was published in 2011. She had previously published two chapbooks and a number of handmade books.
Ila was an MC at Poetry Live, Auckland for four years. She had also been running a national poetry event at Lopdell House for two years and left Poetry Live to start up rhythm & verse on the top floor in 2009. This event, with equal parts of poetry and music, is in its fourth successful year and has recently moved to the top floor of Black Salt in New Lynn while Lopdell House is being renovated.
She wrote her great NZ novel in 20 words as a poem. squeezed between siblings / two children / one of each / three marriages / five countries / six different names / changed twice / by deed poll
Her poem a rope for my third man is performed in Aoteraoa Found In Translation, and published together with Ila Selwyn in New Dialogues and New Beginnings.

gus Simonovic

gus Simonovic

gus Simonovic

Gus has been performing his poetry around the world.
Organising events, producing shows and tirelessly promoting poetry.
Apart from his own poetry collection, his poetry has been published in a few magazines and anthologies.He is a Poetry Slam winner.
With a vision to bring poetry to the widest possible audiences, Gus initiated the “Printable Reality” concept.
Based on collaboration with other spoken word artists, musicians, dancers, actors and visual artists,with a motto : “Experience Poetry Differently”.
Printable Reality initiated forming of the Actors Ensemble, exciting new concept dedicated to producing and performing Live Literature/Poetic Theatre shows.
Gus has been chosen by the Auckland Regional Arts Trust for the ART Venture 2010 program.
His poem Equatorhas been performed in Aotearoa – Found in Translation and published in New Dialogues and New Beginnings – Poetry Anthology 2013
Website: gus Simonovic

Dubtext

lowrence and robert dubtext

lowrence and robert dubtext


No computers, no sequencers, no safety net… We believe there is still a place for live performance in electronic
music.

Live improvisation means Dubtext don’t play “songs” in the conventional sense of repeatable compositions. We coaxe musical
sounds from a variety of small synths and effects.

Every performance is unique and can move from ambient dub to psychedelic techno.

Dubtext is Lawrence Brock and Robert Popovic and we’ve been playing together for three years.

Website dubtext.co.nz

Daniel Pujol

Daniel Pujol

Daniel Pujol

Daniel has now been acting for 20 years, (THAT long already?) in all areas – along with radio, modeling, voice work, presenting, photography, d.j., etc.
Some of his more unusual roles have included a live art installation, a cross-dressing taxi driver… and even a ’19 year old Maori criminal’, (that was really pushing it!).
Being a poetic soul, he is excited to be part of our collective.
While being half French/half Kiwi, (a ‘Friwi’ !) but raised in N.Z.; he can well relate to our inaugural show’s theme.
Training includes: Raymond Hawthorne, Miranda Harcourt, Studio 111, Presenters Platform with Paulus Romijn, Cameron Rhodes and Maura Fay & Associates.

Angela King

Angela King

Angela King

“I’ve been writing poetry since I was 14, but only performing it in the last couple of years. I am working on a series of poems started in the Master of Creative Writing I completed in 2012, that focus on the lives of men and women, families and individuals, in different places and times.
I live in a beautiful residential village in Albany, surrounded by people who are exploring different ways to live in this crazy world of ours. I’ve been a receptionist, a library assistant, a waitress, and a bum, all in the pursuit of perfection.
To me poetry is a way of using words to express the wordless experience we all share in life. I want to make something, and perform it, in a way that touches that silence in people.”

Mentors and Mentees wanted for artist development programme

 

This exciting year-long artist development programme will provide a platform to inspire, educate, and encourage writers and spoken word artists to write and perform a solo performance piece. Talented artists will be partnered with experienced writers and performers as mentors, and you’ll be taught all the necessary tools to be able to create and present your own solo show and become a more professional arts practitioner.

 Are you an established writer, poet, spoken word artist; or maybe a recognised tutor, workshop leader, theatre practitioner or a well-known comedian, performance artist, dramatist, producer? Do you have skills necessary to inspire and guide a talented artist to the next stage of their career? Apply NOW for Page2Stage Mentor role

Are you a talented writer, poet, story-teller, spoken word artist? Are you dreaming of sharing some of your best work on stage? Apply NOW for Page2Stage 2004 Mentee

Poetry Competition Judges wanted

 

Calling on all experienced poets, writers, educators, editors, critics …

In 2014 Printable Reality, in association with “The New Zealand Poetry Society” and “Splice”, is presenting ‘Poems4Peace 2014’ – a literary project that will include a poetry competition, live poetry events, workshops and a publication.

We would like to offer the opportunity to two experienced judges to select the best poems from the entries. Successful candidates will be given further instruction and a week in March, to make their selections.

Please email a short bio by 15th January to: poems4peace2014@printablereality.com – by Wednesday 15th January 5pm – and tell us why would you make a perfect candidate for this role.